Since the midseventies, the literary journal Liberté has published the best political essays on topics such as language and translation, official bilingualism and biculturalism, culture, money and the State. It has dedicated special issues to topics such as referendums, majorities and minorities and Anglo-Montrealers. Many contributors to Liberté include political articles in their collections of essays. For the late André Belleau (Surprendre les voix, 1986), is not racist, but anti-racist, a tool of development. So thinks Jean Larose, whose la Petite Noirceur won a controversial Governor General's Award in 1987. Larose is a vivid polemicist in la Souveraineté rampante (1994), addressed to shy, tired, soft sovereigntists.
In some ways, the cliches of the 1960s ring absolutely true. With the economy buoyant, unemployment almost non-existent and wages steadily rising, millions of families bought their first cars, washing machines, fridges and televisions. Millions of teenagers, too, were transfixed by the sound of Radio Caroline and the look of Mary Quant — although, then as now, Carnaby Street catered more for tourists and day-trippers than the tiny handful at the cutting edge of fashion. Television transformed the imaginative landscape of almost every household in the country, not merely through pictures of faraway places, but through satirical programmes such as That Was the Week That Was. Even the nation’s diet was changing, transformed not just by the arrival of foreign imports from chicken tikka masala to spaghetti bolognese, but by the relentless advance of the supermarket.
A general description of clothing fashion in the 60s and 70s.