However, Creon’s attitudes and actions change drastically between Oedipus the King and Antigone; gradually coming to mirror Oedipus himself, shifting from humility to the stubborn pride of a tyrant.
Martin Heidegger in “The Ode on Man in Sophocles’ Antigone” explains, in a rather involved theory, the destruction of Creon’s character: The conflict between the overwhelming presence of the essent as a whole and man’s violent being-there creates the possibility of downfall into the issueless and placeless: disaster....
"Sophocles’ Antigone: Protagonist Essay." St.
Similarly in Sophocles, Antigone, King Creon can be regarded as a tragic hero despite of his staged villain role; because it is his arrogance and power that destroys him.
In Sophocle’s play, Antigone, the most tragic hero is Creon.
An example in Antigone would be when Antigone broke Creon’s law to go bury her beloved brother this questions us to think will people do wrong to help and be with their loved ones and is love a destructive force.
Antigone, however, possesses all the aspects of a tragic hero.
Then she, too, Iocasta, who bore the double name of mother and wife, took her own life with a rope. Then, both our poor brothers perished in the one day, each of them killing the other with his own hand. And so, now, here we are, we two are left all alone. Think what awful end we can expect if we go against Creon’s law, Antigone!
Creon in Antigone will not listen to anyone’s advice or leadership.
Antigone, although she is a woman, contains all of the aspects that are required for her to be the main character and a feminine heroine which is seldom seen however there are certain traits, in which are required of a tragic character found in her role....
Creon Compare and Contrast Essay
Antigone is considered the tragic hero because of the characteristics she shows such as her ambition to defeat Creon, Creon shows more of the characteristics clearly.
Free Essays on Contrast Antigone And Creon - …
In “Sophocles’ Praise of Man and the Conflicts of the Antigone,” Charles Paul Segal takes the stand that there are two protagonists in the drama (which conflicts with this reader’s interpretation): This is not to say that there are not conceptual issues involved in the characters of Creon and Antigone.