The first quartet, dated 1923, starts with an acerbic nod to Schoenberg and Zemlinsky before settling into a crowd-pleaser. The second, ten years later, hints at Hitler’s terror without getting to grips with the threat; there are just morbid hints of Ravel’s La Valse. The third was written in 1944 in Hollywood where Korngold was a rich and successful film composer, yearning for his lost concert prestige. The opening belongs to Schoenberg’s sound world, before veering off into pleasantries.
Reich himself suffered grave anxiety on 9/11, fearing that his family had been trapped in an apartment opposite the falling towers. He had a powerful personal reason for writing this piece. But where, in Distant Trains, his documentary detachment deepened the emotional impact, here the layering of recent memory becomes part history lesson, part bio-doc. It may be that Different Trains was so original that it put the methodology out of use for a generation. Or it may be that Reich, revisiting his masterpiece, could do no better than repeat himself. The piece, I am told, is being warmly received on a Kronos tour. Perhaps it needs to be sampled live.
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5th album by an instrumental guitar/bass/drums progressive rock outfit whose roots include musical forms not normally associated with "progressive rock", such as blues, bluegrass, cartoon and film noir soundtracks, surf-rock, western swing and other very American musical forms that stretch back 50 years or more.
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Antony visited a group of Martu elders in the Western Australian desert last November and collaborated with artist/film-maker Lynette Wallworth in responding to the Martu women's painting process. The resulting film is now being exhibited, along with the exquisite large canvas that was rendered for the occasion, as a part of this year's Adelaide Festival.
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The album’s best is saved for first, and last – a pair of Vocalises by film writers Wojciech Kilar and Frédéric Chaslin, wordless songs where the voice soars free and the singer stamps her own emotions on the song. Irresistible.
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A work-in-progress screening of Antony and Charles Atlas' tour documentary film TURNING is being presented at the closing night gala at on November 11th in Copenhagen. Click on the image above for further information on the screening.
In 2006 Antony and the Johnsons and Charles Atlas toured Europe with a concert and live video portrait of 13 women from New York City. The film TURNING explores the heart of that performance. Through its synthesis of Antony´s songs and unfurling video portraiture of the beauties who performed on stage, TURNING creates an intimate and cinematic experience exploring the themes of identity, transcendence and the revelation of essence.
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We are pleased to announce the premiere of Antony and the Johnsons "Swanlights" video directed and produced by Sara Hegarty. Footage is taken from her upcoming film "The Last Hymn" featuring Sierra Paris. Please click to see the video. has described the video as "gorgeous, highly impressionistic".