How to Write a Comparison Between Two Poems - Pen …

In this essay discussion, I am going to compare/contrast the author’s purpose, the intended audience, and the impact on the reader’s that each author intended to accomplish through the essay that they wrote; I also plan to show that the descriptive essay communicates the author’s point of view superior to that of the narrative essay....

Writing a comparison between two poems needn't be overly difficult if you break it down into ..

In your career as a student, you’ll encounter many different kinds of writing assignments, each with its own requirements. One of the most common is the comparison/contrast essay, in which you focus on the ways in which certain things or ideas—usually two of them—are similar to (this is the comparison) and/or different from (this is the contrast) one another. By assigning such essays, your instructors are encouraging you to make connections between texts or ideas, engage in critical thinking, and go beyond mere description or summary to generate interesting analysis: when you reflect on similarities and differences, you gain a deeper understanding of the items you are comparing, their relationship to each other, and what is most important about them.

FREE Comparing Poems Essay - Example Essays

"After this follows in Fraser MS.,

''The thoughtless World to Majesty may bow
Exalt the brave, and idolize Success
But more to Innocence their Safety owe
Than Power and Genius e'er conspired to bless
And thou, who mindful of the unhonour'd Dead
Dost in these Notes thy (their written above) artless Tale relate
By Night and lonely Contemplation led
To linger in the gloomy walks of Fate
Hark how the sacred Calm, that broods around
Bids ev'ry fierce tumultuous Passion cease
In still small Accents whisp'ring from the Ground
A grateful Earnest of eternal Peace [Footnote: ''see additional note, p. 292.'']
No more with Reason and thyself at Strife
Give anxious Cares and endless Wishes room
But thro the cool sequester'd Vale of Life
Pursue the silent Tenour of thy Doom''
''And here,'' says Mason, ''the poem was originally intended to conclude, before the happy idea of 'the hoary-headed Swain &c.' suggested itself to him.''
Mason perhaps converted Walpole by a reference to the state of this MS., which no doubt establishes an interval between the first and second half of the poem. But he ante-dated, it maybe suspected, the composition of the first half.
The Fraser MS. (to judge from the facsimile) has a line drawn along the side of the last three, and possibly meant (as Sir W. Fraser's reprint interprets it) to include the first also of these four stanzas.
The stanzas which follow these four are: Far from the madding crowd's &c. as in the received text (with minor variations to be noted), down to 'fires,' .
All the MS. to the end of the four rejected Stanzas is in a much more faded character; and Mason must be at least so far right that the Poem from 'Far from the madding %c.' was resumed after a considerable interval.
But we have only Mason's authority for the statement that the Elegy was ever meant to end with these four stanzas, and it is very questionable. We may be biased by the completeness of the poem in its published form, - but surely without this contrast to assist our judgment it would have seemed to us to finish badly and abruptly with ''Pursue the silent Tenour of thy Doom.''
And if this ending would not satisfy us it could not have satisfied Gray. Again, it is probable from the MS. that down to 'Doom' the Elegy was all written much about the same time, or as the Germans say, in einem Guss. Suppose then it had reached that point in 1742, and this is probably what Mason means when he suggests that it may have been concluded then; is it conceivable that Gray, who had communicated to Walpole other completed poems of that date, and even the fragmentary , would have kept back the Elegy, which ex hypothesi he must have regarded as finished? Yet Walpole, as we have seen, is certain that Gray sent him only the first three stanzas, two or three years after the year 1742. Surely either these twelve lines were all that Gray had then written, or they were a specimen only of the unfinished poem."