The dialogic imagination: Four essays (M

During this post-revolutionary period of his life, Bakhtin engaged with scholars, philosophers, dancers, poets, artists, and thinkers who have subsequently been named ‘The Bakhtin Circle(s)’. These groups participated in public lectures, theatre, and frequent candlelit late night dialogues about their developing ideas—work described by Bakhtin himself as ‘difficult and laborious … revaluation and testing of all our previous knowledge and convictions’ (cited in Hirschkop , p. 147). The influence of these liaisons on Bakhtin’s thinking cannot be overemphasised. In particular, his key ideas concerning answerability, ethics, and love can be traced back to this era; which was cut short due to Stalinist interventions in the late 1920s.

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