5 Photo Essay Tips - Digital Photography School

Each of these varies in some way or the other. For example, a time sequence essay is like making an essay with a timeline in the background. You start with the birth, origin or genesis of an object, or a thing, and describe in the essay by your photos that are taken in a progressively sequential order.

 By following the above-mentioned steps, you would be able to write a good photo essay.

Image–Text Relationship: What is the relationship between text and image? Is this relationship generative? Primarily, we are concerned as to whether the author recognizes that images and text convey different kinds of information and that they have sought to maximize the affordances of each media in their photo-essay. Submissions should not rely on either media, but especially text, in order to make their arguments. Instead, the juxtaposition of text and photographs—and therefore the photo-essay itself—should be greater than the sum of its parts.


PHOTOS: The 10 Best Photo Essays of January 2015 - …

What Goes into a Photo Essay

is an initiative to bolster the place of the photo-essay—and, by extension, formal experimentation—within international anthropological scholarship. As a collaboration between two journals published by the American Anthropological Association (AAA), and , is led by a curatorial collective that aims to address urgent and important concerns about the sustained prominence of multimodal scholarship. Anthropological projects based in video, installation, performance, etc. take as a given that multimodality changes what anthropologists can and should see as productive knowledge. Such projects compel anthropologists to begin rethinking our intellectual endeavors through an engagement with various media, addressing the particular affordances and insights that each new form of scholarship offers. How, for example, does photography produce different types of knowledge than text and/or film? What criteria might we need to interrogate and evaluate each of these forms of multimodal scholarship? As part of a broader set of questions about the relationship between forms of scholarly work and knowledge production, we explore the ongoing relevance of the photo-essay.


A Photo Essay on the Great Depression

Contribution to Anthropological Knowledge: What is the contribution to anthropological theory and/or ethnographic knowledge? Does the author make reference to and build upon broader discourses in text, photography, and/or film? Does the author show an explicitly anthropological understanding of images, text, representation, and the cultural context under consideration? Does the use of the photo-essay format allow for theoretical discussions that would otherwise be neglected?

A Spanish Civil War Photo Essay - University of Illinois

This initiative is unique in that it draws on ’s wider view of emerging trends in anthropology, while foregrounding the particular concerns of as far as theorizing and critiquing practice-based modes of ethnographic scholarship. By relaunching the existing Photo Essays section as a collaboration with , the initiative aims to open new spaces for interaction between sections of the AAA and corners of the discipline. By merging the literary and epistemological critiques of an earlier generation with the formal and aesthetic critiques driving visual anthropology today, we draw on the etymology of the word for inspiration: thus, .

Photo Essay: The Blue City of Chefchaouen, Morocco

The collective focuses on the photo-essay in the belief that multimodal (or visual) forms are not a singular paradigm and that a consideration of a singular research form might help us to rethink a broader array of anthropological questions. How does the photo-essay configure our engagement through its unique form of mediation and composition? We believe that the photo-essay provides a critical opportunity for reevaluating the word–image relationship. Conventionally known for its narrative qualities, the photo-essay is especially useful in reconsidering the relationship between words and images in photographic storytelling, as well as efforts to generate innovative anthropological knowledge with the capacity to go beyond storytelling. For example, we are especially interested in the photo-essay’s potential to generate insights focused on issues of mediation and representation, as well as methodological questions with the potential to shift how anthropologists conceive of the discipline itself.

Detroit's Beautiful, Horrible Decline - Photo Essays - TIME

Bringing a conclusion to this essay is difficult. On the one hand, there is a lot more to say on the subject. On the other hand, some may argue that such an essay should never be written. The first position is correct the second one is incorrect. There is a lot more to be said on this subject, and this essay does need to be written because finding the proper answer to these questions is very difficult. As I said at the beginning, if you are a photographer and you show your work to other people, regardless of whether you sell your work or not, you will be asked these questions. If you haven’t yet, you eventually will. It is only a matter of time. As the popular statement goes: it is not a matter of if, it is a matter of when.